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What's New Archive
March 2009
February 2009
November 2008
AUTHORS' RIGHTS Research Showcase, http://repository.cmu.edu Carnegie Mellon's New Institutional Repository
* 11/20/08 video * 11/20/08 PowerPoint *
PROGRAM
Dan Hood, Research Showcase Outreach Coordinator, will define "institutional repository" (IR), cover the history of IRs, and highlight notable advances in open access publishing relating to IRs. The discussion will include an in-depth demonstration of Carnegie Mellon’s new institutional repository, a progress report, and discussion of future directions for the repository and related services. This event will be of interest to faculty, graduate students and anyone contributing the university's research output.
BIO
Dan Hood is the University's Research Showcase Outreach Coordinator. He previously served as the University Libraries' Information Literacy Fellow. Through his experience as a librarian at Carnegie Mellon, he has gained a deep understanding of Carnegie Mellon's research landscape while working directly with faculty and graduate students in their teaching and research endeavors. Dan holds a master's degree in library and information science from the University of Pittsburgh.
October 2008
September 2008


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"Art is not my aim, it is my means." -- Adolph Hitler put a price tag on Arthur Szyk's head. The American press called Szyk a "one-man army against fascism." The Times of London declared his art work to "be among the most beautiful...ever produced by the hand of man." Arthur Szyk (1894-1951) brilliantly wielded paintbrush and palette in the great battles for freedom in his lifetime. Arthur Szyk (pronounced Shick) is considered by scholars and art critics to have been the greatest 20th century illuminator working in the style of the 16th century miniaturist painters. Szyk's art was not an end in itself. It was his means to promote tolerance, human dignity and freedom. Szyk first visited the United States from his native Poland in 1934 to receive the George Washington Bicentennial Medal, awarded by the U.S. Congress, and to attend the Library of Congress exhibition opening of Washington and His Times. He emigrated to the U.S. after fleeing Nazism in 1940, and became America's leading political caricaturist during World War II. Ironically, it is because of the Holocaust that Americans can proudly claim this world renowned artist and social commentator as our own. TEXT & IMAGE Self-Portrait: Ink & Blood (1944) Courtesy of the Arthur Szyk Society, http://www.szyk.org/.
INTERLIBRARY LOAN via FirstSearch
Streamlined request procedure for articles.
DATABASE 18th Century Collections Online
DATABASE World Robotics
August 2008
July 2008
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March 2, 2009 -- http://www.library.cmu.edu/NewsArchive
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